History

Category: Uncategorised Published: Thursday, 28 April 2011 Written by Administrator

 

KAJUKENBO BRANCHES,

Currently, there are four distinct, "recognized" branches of Kajukenbo:

 

Kenpo Karate "Emperado Method, Tum Pai, Chu'an Fa, and Wun Hop Kuen Do.

 

Kenpo Karate "Emperado Method Founder by Sijo Adriano D. EmperadoJoseph Holck — Judo (Danzan Ryu Jujutsu)Peter Young Yil Choo — Kaheka Lane Kenpo Karate (Tang Soo Do) and Boxing, Frank F. Ordonez — Kaheka Lane Danzan Ryu Jujutsu George "Clarence" Chang — Ch’uan-Fa Chinese boxing  KA-JU-Ken-BO  KA=Karate JU= Jujutsu KEN=Kenpo BO=Boxing.

 

Tum Pai

The original style of Tum Pai was put together by Sijo Adriano D. Emperado, SGM Al Dacascos and SGM Al Dela Cruz in the early 60s to create an advanced style for the Kajukenbo system. An Accent art of Fighting and healing. In the mid-60s the developments that made up Tum Pai became incorporated into what was called "Chu'an Fa". In 1971 Jon A. Loren started incorporating the concepts of Tai-Chi and Southern Sil-lum into his Kajukenbo classes. This was called Northern Kajukenbo until 1976. Tum-Pai was put on hold and reactivated when Sifu Jon Loren was given permission by Sijo Emperado in Hawaii to use the name in 1984 after developing it further for 17 years and bring the name back to life  Tum Paiwhich means "central way", fits the Tai-Chi concept blended into the Kajukenbo format.

Ch’uan Fa

In Hawaii during the early 1960s Sijo Adriano Emperado, along with students Al Dacascos and Al Dela Cruz, incorporated innovations of the style Tum Pai and other martial arts into their Kajukenbo training. It was in 1965 that the name Ch'uan-Fa was introduced.Roots and circular motion combined with the power of the universe. Learn to understand the reflex, coordination and strength of your martial arts in Motion.

 

 

Wun Hop Kuen Do

Founded by  SGM Al Dacascos, in Cantonese Chinese Wun Hop Kuen Do means "combination fist art style“ Wun Hop Kuen Do The tip of the spear, see clearly the use of all Energy patterns, Momentum, Cinergy, Rotational movement, Leverage, Continuous motion, Gravity, Centrifugal force, positioned fluidity and creativity create Wun Hop Kuen Do Combative Martial Arts, Referred to as WHKD. This martial arts style incorporates techniques from many different styles including Northern and Southern Kung Fu systems and Escrima. 

Kajukenbo,   Tum-Pai,   Ch'uan-Fa,   Wun Hop Kuen Do      Original Hard System           Kajukenbo - Tum Pai  Tum Pai by Sijo Emperado, the first phase of development involved the incorporation of southern styles of kung fu and tai chi. SGM Al Dela Cruz and SGM Al Dacascos helped with this development by converting the first two Pinan’s to forms more resembling Chinese forms. Although they kept the same foot movements, the hard linear hand movements were replaced by softer hand movements. And many of the hard style horse stances were replaced with very low deep cat stances, resembling those of the southern Chinese sil-lum systems.   Kajukenbo        Ch’uan-Fa Kung-Fu       Adriano Emperado felt that the Chinese martial arts had an abundance of technical diversity to offer to the kajukenbo system. One thought he entertained was a complete evolution to a kajukenbo style with a much stronger Chinese emphasis. This brought about the development of kajukenbo ch’uan fa in the 1960’s. Aiding in this development was Al Dela Cruz and Al Dacascos, both black belts from Sid Asuncion’s kajukenbo school.During this time Al Dacascos was also training with Eugene Ho, a Siu Lum Pai Association instructor who was a student of Buck Sam Kong. This kung fu training provided Dacascos with knowledge that he also contributed to the tum pai development. Professor Wong, a.k.a. “Old Man Wong” of the Honolulu Chinatown kung fu Association was also a strong influence on, and supporter of Emperado efforts in this endeavor to incorporate more kung fu into the kajukenbo system.In the winter of 1964, Dacascos moved to the San Francisco Bay area of California. Over the next couple of years he established associations with many of the Chinese martial artists in that area. One group in particular was the San Jose Chinese Physical Cultural Center. The instructor there was Paul Ng. Ng taught a southern style called fu-chow, a element of the hong-ga kin system. Also in the group was Kam Yuen and Ron Lew of the tai mantis system. One of the focuses of this group was to learn the northern sil-lum or northern pak-pai system from Professor Wong Jack Man. In 1965, Al Dacascos held a meeting in California with Adriano Emperado and Al Dela Cruz to discuss the state of the tum pai branch. Dacascos explained to them that he thought the tum pai name was no longer applicable to the new branch, because it had now evolved to also include northern kung fu techniques. After he demonstrated to them the long range northern techniques that he had learned, like high jumping butterfly kicks, and full circle sweeps, they agreed with him that a more appropriate name should be used to describe this evolving branch of kajukenbo. They agreed to replace the name tum pai with the name ch’uan fa. Dacascos developed a written system of 82 training exercises, drills, and requirements to teach the concepts and principles of the new kajukenbo ch’uan fa. And a number of Chinese forms like, fua yip, limpo, and pak sil-lum were also added to the ch’uan fa branch. Ch’uan fa became a official branch in 1966. At the time it was Emperado’s desire to have all the existing kajukenbo schools convert to the new ch’uan fa style. Al Dela Cruz was given the assignment to teach the new ch’uan fa techniques to the kajukenbo instructors in Hawaii, and Al Dacascos was to do the same with the instructors in California.The conversion to this new style of kajukenbo was met with some resistance by a number of instructors who preferred the original “hard style” kajukenbo. Emperado allowed those instructors to continue to teach the original style. While some other instructors choose to develop their own methods of ch’uan fa. One change Emperado did require of all schools was the adoption of Chinese titles to replace the Japanese titles that were used previously. Sifu, the Chinese title for teacher, replaced the title of sensei. Professor Emperado took the title sijo, which is the Chinese title for founder. Later, other Chinese titles like sigung were also added to the kajukenbo rank structure. As will be discussed below, more branches of kajukenbo evolved, and methods of those branches evolved even more. Founder Kajukenbo: Sijo Adriano Emperado Founder Tum-Pai: Sijo Adriano Emperado Co-Founders Tum-Pai: SGM Al Dacascos & SGM Al Dela Cruz Co-Founders Ch'uan-Fa: SGM Al Dacascos & SGM AL Dela Cruz.
Founder Wun Hop Kuen Do: SGM Al Dacascos      

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